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Archive for September, 2005

WWOZ refuses to be blown away

Wednesday, September 14th, 2005

Nick over at Jazz And Conversation, a jazz MP3 blog (with conversation, natch), posted an excellent podcast in support of Nawlins community radio station WWOZ 90.7 FM. Nick is consistently interesting and has a lot of great music picks, so mosey on down to his place. After you read The Entroporium, of course.

Jazz and Conversation – Bringing the Music Back To New Orleans

Here’s the sequence of today’s mix, dedicated to the WWOZ staff and the musicians who make the spirit of New Orleans:

Sugar Foot Stomp / King Oliver’s Creole Jazz Band (recorded in 1923)
Tipitina / Professor Longhair
Walking to New Orleans / Fats Domino
Ma ‘Tit Fille / Buckwhat Zydeco
Iko Iko / Dr. John
Basin Street Blues / Louis Prima
Hey Pocky Way / The Meters
Will The Circle be Unbroken / Neville Brothers

His Majesty, The Blues

Sunday, September 11th, 2005

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Continuing The Entroporium’s series touching on some of its favorite New Orleans music…

Wynton Marsalis is easily one of the most controversial, clever, talented and interesting people working in American music over the last twenty years. That said, he also has a catalogue that’s nearly impenetrable to outsiders. In 1999 alone, he put out nine albums — actually eight albums with a bonus freebie. And which one is the point of entry? For us jazz-loving laymen, there’s almost no way to know.

Compounding the problem, his most ‘significant’ works tend to be way over two hours, full of ‘seriousness’ and somewhat lacking in memorable tunes. The shining example, in so many ways, would be his masterwork Blood On The Fields, a 3-hour piece on slavery that was the first jazz work to be awarded a Pulitzer Prize. A major achievement, yes, but if a melodic, well-performed 3-hour jazz meditation on slavery didn’t win a Pulitzer, wouldn’t you be a bit surprised? I mean, really. At least it wasn’t for Stanley Crouch’s incredibly pompous sermon on “The Death of Jazz,” which features on the otherwise fabulous 1989 release The Majesty Of The Blues.

Fortunately there are a few accessible points in Marsalis’s 40+ album discography. One highlight is his 1991 trilogy Soul Gestures In Southern Blue. (See, it still has to be a Trilogy, not just a plain old album.) One of the things that Marsalis always has going for him is his ability to identify and nurture young talent in his bands, and these three albums play up his sidemen’s strengths and gives them lots of room. That’s the good news about a trilogy; everybody gets plenty of time at the front of the stage.

About the time that Soul Gestures came out, I had the privilege to see Marsalis and his band with Elvin Jones, late of John Coltrane’s famous quartet, on drums in a small club in Emeryville. Even though Jones had played on Soul Gestures Vol. 1, the band instead ran through a furious version of “A Love Supreme.” It was unexpected and completely stupendous, one of the finest performances I’ve ever seen anywhere. Since then, Marsalis has graduated to concert halls and the chance to see him in smaller venues is essentially gone. But if you get the opportunity, Go!

Today’s selection is the title track from Levee Low Moan: Soul Gestures In Southern Blue, Vol. 3. Before Katrina hit, this tune was simply a depiction of a slow, hot, sticky carefree day in a neighborhood across from a levee in New Orleans with the Mississippi whispering behind the walls. Now of course you could see this as more of a longing for that simpler time. Nevertheless, a terrific little piece of restraint and beauty, well worth the 10MB download.

[Soundtrack]
Wynton Marsalis – Levee Low Moan.mp3

Blogcritics.org: Wynton Marsalis on America’s Cultural Bankruptcy
(with audio and PDF links to Marsalis’s original speech, followed by interesting comments from readers)
Slate: Trumpeting Mediocrity – Was Wynton Marsalis ever that good?

Clarence “Gatemouth” Brown, RIP

Sunday, September 11th, 2005

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Continuing The Entroporium’s series touching on some of its favorite New Orleans music…

They won’t count this one in the death toll, but it’s demonstrative of the shock and stress that Katrina is putting on her people. Clarence “Gatemouth” Brown, surely the owner of the best New Orleans musician nickname this side of “Frogman,” passed away yesterday yafter being forced to travel to Texas from his Slidell, LA home. Although his sound had a strongTexas influence, Brown was a fixture on the New Orleans scene and was still active as recently as April despite a long battle with cancer.

Here is one of his early jump blues hits in the style of Wynonie Harris. Though I can’t find the exact date for this, I’d place it in the 1948-52 area. This is in the popular style of the time, but instead of a bunch of one-note faux-exciting sax solos in the middle section, there’s a distinctive kick-ass blues guitar solo.

[Soundtrack]
Clarence “Gatemouth” Brown – Rock My Blues Away.mp3

Alligator Records’ Clarence “Gatemouth” Brown bio with streaming music
BBC: Blues star Brown dies at 81

Ain’t Got No Home!

Friday, September 9th, 2005

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Clarence “Frogman” Henry with some admirers

Continuing The Entroporium’s series touching on some of its favorite New Orleans music…

All these sad songs! Enough already! It bears remembering that the classic New Orleans funeral march is a pretty upbeat affair. Gotta get back to the funk!

The New Orleans scene has a jauntiness that made it a breeding ground for wacky, dementedly joyful records. In particular, it had a flair for being the epicenter for novelty hits andin the 50s and 60s, everything from “Iko Iko” to “I Like It Like That” to “Mother-In-Law.” And of course you can’t leave out the charismatic and eccentric shouters like Richard Penniman, better known to the world as simply Little Richard.

Here are a couple of my sillier favorites. Play loud!

[Soundtrack]
Eddie Bo – The Thang, Part 2.mp3
Clarence “Frogman” Henry – Ain’t Got No Home.mp3

“Black CNN” reports in

Friday, September 9th, 2005

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This was inevitable, eh? Kanye West’s kick-ass new single mated with what’s quickly become the year’s top sound bite, narrowly beating out “Nobody anticipated the breach of the levees.”

Hear it here, there and soon to be everywhere.

Source: Boing Boing: Katrina: Kanye remixed, “George Bush Don’t Like Black People”

The flood last time

Thursday, September 8th, 2005

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Continuing The Entroporium’s series touching on some of its favorite New Orleans music…

Randy Newman isn’t really perceived as a New Orleans artist, but his impressive body of work often revisits his hometown both in content and in tone.

Unfortunately, Newman is best known to non-aficionados for his soundtrack work and some of his jokier songs like “Short People,” “I Love LA” and “It’s Money That Matters.” Those have their place in the grand scheme, but the albums that really make Newman worth discussing are the three he released in the early 1970s: Good Old Boys, 12 Songs and Sail Away. Utterly unafraid of taking on big issues in his songs, Newman is one of the great Baby Boomer satirists; in my head, I always figured that a Kurt Vonnegut novel would sound like a Randy Newman record.

At times, his incisive humor and economical songwriting would cut almost too close to the bone. Take “Sail Away,” surely one of the loveliest songs ever recorded. A beautiful lullaby to the Naked Ear, except that the song’s narrator has something more incendiary on his mind; it comes out over the course of the song that he’s a slave boat captain with designs on luring unsuspecting Africans onboard and into a new life :

In America every man is free
To take care of his home and his family

You’ll be as happy as a monkey in a monkey tree

You’re all gonna be an American

By making the song so beautiful and lushly orchestrated, you too are lulled into the trap; it could be many spins before you realize the horror that the narrator is proposing to you, the listener. It’s an amazing songwriting gambit that few performers have accomplishe. The elegance and wit of the trap make “Holidays In The Sun” and “California Uber Alles” seem like fourth grade haikus by comparison.

Today’s song has been around the blogosphere quite a bit lately for obvious reasons, but it’s strong enough to bear repeating here. I love the image of the “little fat man” that follows President Coolidge around as he tours the flood damage. If only Michaels Brown or Chertoff were indeed ‘little fat men,’ the circle would be complete.

[Soundtrack]
Randy Newman – Louisiana 1927.mp3 (original version from Good Old Boys)

Salon Brilliant Careers: Randy Newman (no day pass necessary!)
NPR: Randy Newman, Live in Studio 4A
The Complete Idiot’s Guide To Randy Newman at Jefito.com

Do You Know What It Means…?

Wednesday, September 7th, 2005

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Continuing The Entroporium’s series touching on some of its favorite New Orleans music…

I’m out of my depth when it comes to writing about Louis Armstrong and his importance to modern music, except to say that he’s somewhere up there with — oh, I don’t know — Beethoven, John Cage, The Beatles, Elvis Presley… Artists that shattered paradigms and then built their own. When we listen to jazz played by a smalll combo, you’re on Armstrong’s turf.

Here are two recordings, one by his groundbreaking Hot Band from the 1920s and a 1946 version of a song that a lot of people are going to find themselves singing in months to come.

[Soundtrack]
Louis Armstrong – St. Louis Blues.mp3
Louis Armstrong – Do You Know What It Means To Miss New Orleans.mp3

Before rap so overtly became “the black CNN” (as Chuck D memorably put it), African-American music was often full of heavily coded messages about African-American life. Maybe I’m reading too much into this, but when I see the title “Do You What It Means To Miss New Orleans” on a record from 1946, I can’t help but think of the massive nation-changing diaspora that took place during & after World War II when Southern Blacks moved into the North to take better-paying manufacturing jobs that had previously not been available to them. The area where I grew up, San Francisco’s East Bay, is chock full of unexpected Southern touches and cuisine because of the great migration of Southerners that came in the 1940s. Armstrong had traced much this same route through his career; born in Nola, he achieved his greatest successes when he burst national out of the Chicago, LA and New York jazz scenes. I don’t know if Armstrong performed this song to speak upon his own experience or whether he was playing to a sentimental crowd, but I like to imagine it was the latter.

Jazz Profiles from NPR – Louis Armstrong: The Trumpeter

Louis Armstrong biographical information at PBS

Amazing first-hand account from New Orleans

Wednesday, September 7th, 2005

A friend of a friend of a friend sent out this account by E-mail yesterday. Last Saturday he managed to get into the city. Here’s what he saw:

Everyone,
I just returned from my first trip to Louisiana this weekend since Katrina. I spent the entire trip back trying to decide if I wanted to tell you all about what is happening down there, because honestly if I had the choice, I would choose not to know. But in the end, I figured e-mail you all was better than talking to each of you on the phone and over e-mail.

It is beyond what you can imagine… it’s hell on earth. I flew into Baton Rouge, which sits about 80 miles northwest of New Orleans, and the city is destroyed, but not by the storm. There are over 750,000 refuges from New Orleans in Baton Rouge. People are camping on the side of the roads, in their cars if they have them, and all over the LSU campus. The first thing you notice is how outraged everyone is. The people of Baton Rouge don’t want us here. There seems to be no plan for the New Orleaneans once they are dropped off in Baton Rouge, and everyone is confused, horrified, or worse. They know this is potentially a permanent situation, or at least the way it will be for the next several months, and it is safe to say they are as scared as the homeless and exhausted refuges that litter their streets.

My sister and I rented four houses in Houma, Louisiana, which is about 50 miles south of Baton Rouge or about 30 miles west of New Orleans. We spent the weekend moving our family there, then our friends, and then in the end, people we met that had no other options. When I left, we had perhaps forty people with another twenty on the way. It is an amazing thing to see: your best friends, your family, and everyone in between huddled on floorboards, makeshift beds, and sleeping bags. It is truly like a nuclear bomb hit our city, and we are doing everything we can just to keep everyone housed, fed, and with water.

Saturday morning, I decided to go into New Orleans. There were far too many people from our home unaccounted for, but beyond that, New Orleans is part of everything that I am; it’s more than a city to those of us who call it home. It’s part of your family, and with the stories of looting, flooding, and complete inability of the government to make the matter better, it was as if a family member was being slowly killed. I was told by everyone it was impossible to get in and I would be arrested for trying, but I’m sure you call imagine how little that did to deter me.

There is no way to get into the city. The roads that are open are being used to bring people out, and no traffic is headed into the city. I had a rental car, and I started to drive the 30 miles on backroads that I guessed wouldn’t be flooded. I made it about half way before there was no way to get into the city by car. I loaded up a backpack with as much water as I could carry, two packs of breakfast bars, three canisters of bug spray, and an extra pair of shoes. Then I started walking.

From there, it was hell on earth.

First, there is the climate. It is almost 90 degrees, and the humidity plus the still water everywhere has made the swamp come alive with bugs. Trying to describe the mosquitos is almost impossible. Do you know the sound of the wind in the north when a blizzard is happening? The “whirring” sound? That is the sound this many bugs make. You have to wear long sleeve shirts and pants, and you are drenched with sweat because of the heat.

The first group of people I met were very friendly. I traded my ipod for a kid’s dirt bike so I could make better time, and they gave me some extra water. They did their best to warn me it wasn’t safe to head into the city, but they didn’t argue when I said there were people we couldn’t find. They warned me about what neighborhoods to avoid, and they said beyond everything else, it was critical to stay away from the police. They would force you to leave by putting you on a bus destined for who knows where, and if you resisted, they’d shoot you. It was the first I saw of a constant epidemic: the police and the government are considered absolute enemies by Katrina survivors. At first, I tried not to judge and simply considered that shortsighted, but over the next two days, I started to understand where it came from.

I got into the outskirts of the city by about 2pm… an upscale neighborhood called “Metaire,” where most of the money of New Orleans lives. To even get that far had already involved about half a mile of swimming. There is no way I can get you to understand just how destroyed everything is. It’s not just underwater – it’s more that the swamps have risen over New Orleans. There are snakes and alligators everywhere, and the more you see, the more you realize the city isn’t going to be livable for who knows how long.

And then there are the bodies. I first started seeing them as I crossed from Metaire into what is called “mid city.” Have you ever been to Jazz Fest? The neighborhood you drive through to get there and the fairgrounds are called “mid city.” It was the first place where I saw them. Before this weekend, I had only seen a few dead bodies in my entire life: traffic accidents, I once witnessed a shooting, and then funerals. I don’t know how many dead people I saw this weekend. Some have been pushed against dry spots by what I am assuming are rescue workers. Others are just floating in the water. Then there are all the houses with red marks on them, meaning there is someone dead inside. The most horrifying part of all of it is what happens when a body is floating in the water for two or three days. It’s barely recognizable as a person. When you see one, it is riddled with mosquitos and who knows what else.

The other thing you have to understand is people are still everywhere. Any idea the media may have given you about a city wide evacuation is insane. I found hundreds if not thousands of people in all the different neighborhoods, and they have no intention of leaving. First and foremost, they have nowhere to go. And having come from Baton Rouge, the people that did get evacuated are simply unloaded from the busses, told loose plans of food that is coming, and told to hold tight and someone will come up with a plan. It’s chaos. Second, they don’t want to leave. They don’t trust they will ever be let back in, and they certainly are not going to allow their homes to be pillaged by the people crafty enough not to get kicked out. Finally, they just don’t believe the argument that the city will be unsafe and riddled with disease. The people still in New Orleans are our uneducated and angry masses. You know the people of the world that “don’t beleive” in AIDS, who thinks the government is out to get them, and don’t understand why they should ever get jobs when unemployment pays just fine? Try convincing them typhoid fever is real. But beyond that, they are armed and angry, they have already survived five straight days of no food and no water, and they don’t believe those who haven’t gotten them food or water are going to find a place for them to live. I know it sounds ignorant on their part, but can you imagine it? I was there on Saturday, five days after the storm, and still no one had been told where to go for food or water. People are surviving by breaking into each other’s homes. It’s chaos, and it’s dangerous, and there doesn’t seem to be a plan to fix anything any time soon.

My main goal was to go to the homes of family and friends and make sure everyone was safely out of the city. I grew up in the 9th Ward – it’s one of the lowest income areas in the city, and it is also the sight of the first levi break. For me to get to my childhood home, I would have needed to dive down underwater just to get to the roof. I went to the second house we lived in after that. It’s roof had been torn off, and there was a body floating not fifty feet away from the front porch. I wish I could say the journey to friends’ houses fared better, but I can’t. Most of the homes were either completely submerged, sitting in ten to fifteen feet of water, or just not standing anymore. I found three people I knew in all, and they set off for Houma that afternoon.

Then I started to explore the city. Like I said, it is hell on earth. The people are furious. They feel as if they have been abandoned. You have to understand, there is no power anywhere. The rescue crews are going through New Orleans proper, not all the neighborhoods where people live. Most of the city doesn’t even think there is a rescue effort underway at all. It became clear to me the one thing people need is communication, and in the absence of communication, fear takes people over. I never realized how powerful the raw ability of communicating is. There is nothing more important to restoring order than giving the leaders an ability to get messages to everyone.

I know you have all heard about people firing on helicopters. I’m certainly not saying it is right, but after being there, I understand. For five days, helicopters were flying overhead, but none of them are even so much as dropping water or food down for people. They fly by using load speakers saying that anyone found looting or stealing will be arrested, and those are the helicopters that are followed by gunshots, from what I saw. I don’t know who is controlling the message being given to everyone, but they need to be replaced. The only government group anyone has seen are the police with sawed off shotguns threatening to arrest everyone who is walking around on the streets. Everyone is scared about their future, about their friends and family, and about their city, and fear leads people to do amazing things. Like I said, I’m not saying firing guns at the helicopters is the right thing to do by any means, but after being down there, I understand.

When I left, I thought I was going to see the 3rd world, but it isn’t the third world. It’s a state of war. People don’t even know who they are fighting, but they know they are at war. Twice, I had to bike at full speed away from gangs that came at me, and before I left the city, I had my cash, my backpack with my food and change of clothes, and my camera stolen from me. It’s like a family member of mine has been possessed by a confused, frightened, angry force that can’t be stopped. Every interaction with someone who is supposed to be helping, like the helicopters flying overhead or the police barking threats only makes it worse.

When I left for New Orleans, I thought I wanted to help the people I couldn’t find. But once there, I realized I was just trying to feed my selfish vanity of wanting to see the city in turmoil. If it was flooded and there was chaos, I wanted to see it and be a part of it. It was as if I was one of those idealistic kids who wanted to head off to war to seek glory. I’ll never forget this weekend my entire life, and I’ll spend years wishing I could. You just can’t describe what it is like to see your hometown that you love, that is a part of everything you are, with dead bodies floating in the street and the people you consider “your people” firing guns at strangers and hating everyone and everything. It was one of the worst things I have ever felt or seen. It’s a war being fought against no one.

But not all is ruined. I was thrilled to see the French Quarter, the Garden District, and the central business district were all ok. The shipping yards along Tchapitoulas were also undamaged. It is enough to make you believe the city can be salvaged.

I got back to Houma Sunday morning, and that is where the real work began. We’ve been trying to construct mosquito nets around the houses. Jjust using screen doors and screen windows isn’t enough, because of how many people we have living there. Opening the door for ten seconds every hour can make the house unlivable. We managed to get a generator going, and we are using it to boil water, keep food cold, and charge up non-working cell phones (we can make calls out of state, but we can’t receive any phone calls with in-state phone numbers).

So many of you have asked what you can do, and I am sorry to sound pessimistic, but I just don’t know. I wish I could say “donate money to the Red Cross,” but I didn’t see the Red Cross doing anything. The entire time I was there, I only saw Jesse Jackson and his buses, a huge congregation of busses from Baltimore (for some reason) bringing food and water, and private companies like Dysani, Evian, and K-Mart bringing supplies. The more you look around, the more you realize it is the private sector that is the only group that is doing anything. I genuinely believe private companies are going to do more for us than our own government, but I’m ignorant to the entire picture, I only know what I saw, so I don’t want to judge anyone.

If you want to help, all I can say is there are different levels of help. There are 1,000,000 people that need homes and some semblance of a future. My sister, mother, aunt, and I are going to do our best to make a home for people in Houma. We don’t need money, but we do need bodies. There is just too much to do.

I’m going back on Thursday, and I hope to figure out an address for people to ship things to us. Right now, what we need more than anything else are:
- light sleeping bags (not designed for the cold)
- battery chargeable power tools
- mosquito netting by the square yard
- CELL PHONES with out of Louisiana phone numbers are CRITICAL

We have enough breakfast bars and bottled water for now, and there is no power for preparing food as it is. There are stores to the north that can sell food once we have the power to make it, so that isn’t needed, even though you would think it is.

I know this sounds crazy, but if there could be anyway to make an outdoor movie theatre powered off a generator, it would do more good than you can imagine. New Orleaneans are social, and one of the biggest problems we have is not being able to be with each other… share the stress and find a way to deal with it together. It’s being isolated from each other that is really destroying people’s will.

If you can, please consider opening up your home to people that need one. But as these people are strangers, I don’t pretend it is something everyone will find comfortable. If you can, there is an amazing site setup to help you register as a host (http://www.shareyourhome.org/).

Thank you to you all for everything you will do in the next coming months,
Nick

“This is my love song.. let’s all take care.”

Tuesday, September 6th, 2005

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San Francisco, April 1906

From today’s New Orleans Times-Picayune:

Brooks and his unit came to New Orleans not long after serving a year of combat duty in Iraq, taking on gunfire and bombs, while losing comrades with regularity. Still, the scene at the Convention Center, where they conducted an evacuation this week, left him shell-shocked.

“I ain’t got the stomach for it, even after what I saw in Iraq,” said Brooks, referring to the freezer where the bulk of the bodies sat decomposing. “In Iraq, it’s one-on-one. It’s war. It’s fair. Here, it’s just crazy. It’s anarchy. When you get down to killing and raping people in the streets for food and water … And this is America. This is just 300 miles south of where I live.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My Fellow Californians,

The chaos and misery that has befallen our friends in the South should give pause to all of us who live out here in Earthquake Country. It’s not unrealistic to expect similar things to happen here when The Big One strikes. And there’s a 50% chance that “The Big One” will strike the SF Bay Area in the next 30 years. That’s well within all of our lifetimes.

Marc Reisner, the leading historian of Western water policy and author of Cadillac Desert (ranked 61st on Modern House’s 100 best nonfiction books of the 20th Century and the basis of the PBS mini-series), posthumously published A Dangerous Place in 2003. In this book, he theorized about what would happen if there was an 8.0 quake on the North Hayward fault, which runs from Hayward up towards the Carquinez Straits.

At a minimum, the result will be the destruction of:
* all Bay Area freeways, airports, tunnels and bridges
* the gas & electric infrastructure
* more than 2/3 of California’s drinking water supply (as a result of the failure of the decrepit privately-maintained levee system in the Delta)

Add disruption to phones, ports and trains, and it’s realistic to expect that no supplies, food, water, people or communications could get in or out of the Bay Area for many days after a major quake.

You can read more here about Bay Area damage scenarios. This article is East Bay-centric, but it is valid for any California community.

If we’ve learned anything from Katrina, it’s that natural disasters that we know are possible can & will eventually happen. And that we can’t count on civil society or government to function properly in times of stress. We see that not just in Louisiana today but have seen it for centuries in disasters & conflicts around the world. We have to be ready at all times to be self-sufficient at a moment’s notice.

Please take a few moments to look through the resources on this site and this one. There are lots of great tips for preparing you & your loved ones and keeping them safe in a civic emergency.

On this site, you can see different earthquake scenarios for each of the major NorCal faults and check out how your neighborhood will fare.

Below is a mail from my friend Nicole, which makes a great starter for thinking about what you need to know & do.

Be Safe!
Shawn

—— Forwarded Message
From: Nicole Grigg

Hello dear friends..

Firstly I hope all of your friends and family are well if you have folks in the devastated areas down South. Now is the time for all of us to get prepared with our earthquake/disaster kits because if the deal goes down… food, water and a way out… coupled with a plan to rendezvous with loved ones are all that really matter. This is earthquake country.. no more playing.. let’s get ready!

This is my rally cry… along with some common sense suggestions.. for those that I care for. What ever it is I want us all to get through it and survive.

– Your earthquake kits should include: A first aid kit, batteries, flashlights, candles, lighter, a sharp knife. At least eight big containers of water… peanut butter, power bars, tuna cans, a can opener pain reliever etc. Keep a case of water bottles in the trunk of you car. Don’t forget prescription medication (I’m sure i’m forgetting stuff but this is a start )

– Where will you go if we have to evacuate and how will you get there? The roads will be jammed– For some.. riding your bike to the south bay may be easiest.

– Make sure you have an out of state contact to call and be accounted for.

– Have pair of sneakers stored at your desk just in case you have to walk out to safety. It could be miles away!

– Shelters do not generally take animals. Figure out how you will deal with your pet now.

– Get renters insurance. Perhaps it doesn’t cover an earthquake but if your neighbor lights your home on fire at least you won’t be left without anything.

– If you have loved ones who will have special problems escaping (elderly, specially abled), you need to have a plan in place for them.

Again.. this is just a start but we must do something. We know that we live on the faults. We don’t have the the luxury of not being prepared any longer.

This is my love song.. let’s all take care. If anyone else has suggstions please pass them along.

Yes We Can Can

Monday, September 5th, 2005

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I get back from my annual Burning Man-forced news blackout and frickin’ Armageddon hit a huge swath of the country. I knew going up that things were going to be bad; my last news as my radio signal faded in the desert was that the levees had broken and the water was spilling in. I imagined that the city was gone, but I was still surprised by the level of depravity and desperation achieved. We should all be asking ourselves questions about how this might happen in our own communities and what we can do to prevent it, but that is a topic for a later post.

I never had the privilege of visiting Nawlins, but it always loomed large for me as a place of cultural richness and weird behavior, seemingly catering to the very worst touristic instincts — gluttony, drunkenness, sloth — but without the cold calculation of the minds that run Las Vegas. Not to mention centuries of political machinations, running the gamut from virtual dynastic royalty to populist uprisings to Lee Harvey Oswald hawking socialist newspapers down on the corner.

For the next several posts, I’ll be whipping out some of the great artists that made Nola one of the most influential musical cities in the universe. With the great diaspora under way and most of the area’s housing stock destroyed, we may never see a city like this again where history and demographics conspired to blend such disparate influences and peoples to create unique, exciting music.

Today’s artist, Lee Dorsey, is a personal favorite. With several huge national hits in the mid-60s (including “Ya Ya,” “Working In A Coal Mine” and “Everything I’m Gonna Do Is Gonna Be Funky”), Dorsey was massively influential on the birth of funk in the late 60s. Although he didn’t have the flash of megastar performers like James Brown, you can hear Dorsey’s intonation and groove in many of the great funk bands of the 70s, like Parliament and Cameo. Perhaps he’d be better known today if he hadn’t retired in 1970 to open an auto repair business. Yes, really.

[Soundtrack]
Lee Dorsey – Yes We Can Can.mp3
Lee Dorsey – Give It Up.mp3
Lee Dorsey at AllMusic
Robert Christgau covers Dorsey opening for The Clash in 1980

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